Jake Witzenfeld’s Oriented follows three young friends as national and identity politics collide in Tel Aviv, in the lead-up to the devastating 2014 Gaza conflict. Read the full feature on NOWNESS http://bit.ly/1jfiwmp
Richard Kern’s “Foot Fetish Party”
Controversial photographer and filmmaker Richard Kern’s NSFW ode to podophilia, aka foot fetishism.
Justin von der Fehr and Danielle Levitt spark up some sordid eighties glamour
Set in a Brooklyn ballroom that hasn’t been remodeled since its 80s heyday, Thief marks designer Justin von der Fehr and director Danielle Levitt’s first collaboration. “We wanted to keep a level […]
Krump dancer Dexter stars in “Le Fou (The Crazy)”
‘Krumping’ street dancer Dexter, aka Pierre-Claver Belleka, stars in director Christopher Michael Tew’s tale of Senegalese child gangs. Read the full feature on NOWNESS: http://bit.ly/1KlX4SZ
David Luraschi meets master photographer Ralph Gibson
Feted photographer and Larry Clark cohort Ralph Gibson reveals the secrets behind the art of the double-page spread at his New York studio. Read the full feature on NOWNESS: http://bit.ly/1UUzCRM
Dominique Lecchi celebrates her dysfunctional family in “Balsa Wood”
The New Zealand-born director creates a humorous Wes Anderson-esque ode to her Filipino-Italian heritage. Read the full feature on NOWNESS: http://bit.ly/1NwzvLE
Agostina Gálvez captures three Olympic gymnast hopefuls in action
High-fashion and the beauty of symmetry combine in Agostina Gálvez’s ode to gymnastics and geometry. Read the full feature on NOWNESS: http://bit.ly/1W2BLNy
Widerstehe doch der Sünde” by Nicolas Godin
A zombie surfing trio carve waves to an epic track by one Air’s Nicolas Godin. Read the full feature on NOWNESS: http://bit.ly/1Lhm79y
Swedish electro auteur iamamiwhoami and Wave present “Concert in Blue”
A neo-operatic, conceptual live video from iamamiwhoami, directed by Wave. Read the full feature on NOWNESS: http://bit.ly/1JvfAb5
Directors’ Cuts: Simon Cahn reworks Hanni El Khatib’s “Come Alive” in Los Angeles
Directors’ Cuts: Simon Cahn reworks Hanni El Khatib’s “Come Alive” in Los Angeles